My Musical Journey with Salsa Libre
offering distinct lessons and memorable moments.Salsa Libre is an eight-piece salsa band based in Binghamton, NY, known for its energetic performances that blend traditional and contemporary Latin rhythms. Formed in 1997, the band has become a staple in the Southern Tier’s music scene, offering lively dance music that draws crowds to various venues, including the Riverwalk Hotel and Brothers II in Endwell. The band features a dynamic lineup with musicians playing instruments like timbales, congas, trumpet, and trombone, creating an authentic Latin sound that keeps audiences dancing.
They perform regularly at local venues and events, and they are also expanding their presence by performing in nearby cities like Ithaca. Salsa Libre has garnered a loyal following over the years, despite periods of limited public performances, and they are now more active than ever, bringing their vibrant sound to a growing audience.
Gig 1: Tioga Downs
Our first gig at Tioga Downs was a full-scale salsa affair with an 8-piece band. The lineup included three horns, a singer,
bass, guitar, timbales, and conga, creating a rich, layered sound typical of classic salsa ensembles. The large group allowed for complex arrangements and a powerful brass section that drove the music forward with infectious energy.
Preparing for this gig was a rigorous process. Given the complexity of the arrangements and the tight interplay between instruments, it was crucial to be thoroughly prepared. The bandleader had provided charts, but the real work began with understanding the nuances of salsa rhythms and how each instrument contributed to the overall sound. I dedicated countless hours to practicing, focusing on the intricate rhythms and ensuring that my guitar parts blended seamlessly with the percussion and brass.
The performance at Tioga Downs was a resounding success. The audience, filled with salsa enthusiasts, responded enthusiastically to our set. The energy was palpable, and the dance floor was packed. Highlights included fiery renditions of salsa classics like “Carbonerito” and “La Rueda” where the horns shone, and the rhythm section kept everyone moving. The venue’s acoustics were excellent, allowing the band’s full sound to resonate beautifully throughout the space.
One of the most rewarding aspects of this gig was the feedback from the bandleader and fellow musicians. They appreciated my preparation and how I seamlessly fit into the ensemble despite it being my first time playing with them. It was a powerful reminder of the importance of preparation and adaptability, especially in a genre as dynamic as salsa.
Here is a short excerpt from “El Timbalero” from that performance.
Gig 2: Rumble Ponies Ballpark
The second gig took place at Rumble Ponies Ballpark in Mirabito Stadium, a more casual setting with a smaller 5-piece band. This lineup included guitar, sax, bass, a singer, and a percussionist. The reduced setup required a different approach, focusing more on individual musicianship and interaction.
Playing with a smaller ensemble was both a challenge and a joy. Without the full brass section and additional percussion, there was more space in the arrangements, which meant that each musician’s contribution was more pronounced. My role on the guitar became more prominent, not only providing rhythm but also filling in melodic gaps and driving the harmonic structure. I also got to solo on pretty much every
tune, which was not the case with the bigger band lineup.
The open-air environment of the ballpark was perfect for a summer evening, and the audience, though not as dance-focused as at Tioga Downs, enjoyed the music. We played a mix of salsa classics like “Puerto Rico” by Eddie Palmieri (see excerpt here), Latin jazz standards like “Canteloupe Island” by Herbie Hancock, and pop tunes like “Yesterday” by The Beatles (on which an excerpt of my solo is here.)
Gig 3: Binghamton University Rooftop
The third gig was to promote cross-cultural solidarity among students at Binghamton University. We played to a diverse group of very nice and supportive students and staff. Here is an excerpt of our playing the Marc Anthony classic “Vivi Mi Vida.”
Personal Reflections and Lessons Learned
Playing with Salsa Libre was an incredible learning experience. Salsa music, with its intricate rhythms and rich cultural background, requires a deep understanding and respect for its traditions. The gigs at Tioga Downs and Rumble Ponies Ballpark were not just performances; they were opportunities to grow as a musician and to connect with a new audience.
One of the key takeaways from these gigs was the importance of preparation. The hours spent practicing and familiarizing myself with the genre paid off, enabling me to perform confidently and contribute effectively to the band. The experience also underscored the value of adaptability. Each gig presented unique challenges, from the ensemble size to the venue setting, and being able to adjust my playing to suit these variables was crucial.
Moreover, the joy of performing with a talented group of musicians was unparalleled. The camaraderie and shared passion for music created a wonderful atmosphere both on and off the stage. It’s moments like these that remind me why I love being a musician—the opportunity to collaborate, create, and share music with others.
Conclusion
Playing with Salsa Libre at Tioga Downs and Rumble Ponies Ballpark was an enriching experience that pushed me out of my comfort zone and allowed me to delve deeper into the world of salsa music. The energy of the performances, the warmth of the audiences, and the joy of playing with talented musicians made these gigs truly special. As I continue to explore different genres and styles, I carry these experiences with me, always aiming to bring authenticity and passion to every performance. Here’s to more musical adventures and the endless joy of making music!
